Gail Gauthier: Blog Tour: “Minette’s Feast” As Creative Nonfiction
From: Original Content
May 04, 2012 at 08:49AM
The descriptions and illustrations of home, cooking, and food, food, food give Minette’s Feastthe potential to become a comfort book, so it doesn’t matter that many young readers won’t know who the woman referred to in the book’s subtitle —“The Delicious Story of Julia Child and Her Cat”—is. Furthermore, Minette holds her own as a character. She does, after all, turn up her nose at meals prepared by a student at “Le Cordon Bleu, the famous cooking school.” Whether or not she will be won over to fine human food provides the narrative drive for this sweet piece of creative nonfiction.
In fact, in Lee Gutkind’s collection of essays by writers of creative nonfiction, Keep It Real, scenes are described as the building blocks of creative nonfiction. They then need to be placed in some kind of order, or frame. In the case of Minette’s Feast, Susannah Reich uses a traditional story frame to organize her scenes. A story is an account or retelling of something that happened told in a way that expresses meaning. That’s why a beginning, middle, and end are so important to stories. We see the world of the story in the beginning, then a change or disturbance to that world in the middle, and the result of that change or disturbance in the end. We see what happened. Minette’s Feast does read like a story–it’s an account with a beginning, middle, and end of something that happened to Julia Child or to her cat, depending on which character you prefer to see as the protagonist. We also understand its meaning. This cat wouldn’t eat Julia Child‘s cooking, for crying out loud!
The Minette’s Feast Blog Tour continues on Sunday at Great Kid Books. The earlier tour stops were:
Don’t forget about the Minette’s Feast Giveaway. The drawing isn’t until May 31.