Category Archives: Liz Goulet Dubois
I will be coming back to Benefit Street this Fall for the annual RISD Alumni and Student Art Sale, which takes place on Saturday, Oct. 6th, from 10am – 4pm.
It’s always good fun… if you go, find me! I will look something like the photo below… except I will have more books and different stuff!
It’s free, open to the public, rain or shine.
All that stuff from my previous post was merely from one day. One giant, LONG day! This post is about the Saturday happenings.
First up in the morning was the “Our Favorite Art Directors” panel. Steven Charny (Rolling Stone), Paul Buckley (Penguin), and Thomas Schmid (Buck TV) were there to show what they do in their respective companies, and the kinds of things they look for in art.
There was a “debate” about whether or not you should get an MFA or not. I nearly skipped this one, due to the fact that I will never get an MFA… but these two guys- Marshall Arisman (Chair, MFA Illustration for the School of Visual Arts) and David Porter (Illustration Professor at RISD) made it an interesting an broader discussion.
They both sort of agree that an MFA isn’t as necessary as life experiences and developing your own conceptual thinking.
Tim O’Brien, a photo-realist with a self-described “aggressive” style, changed the course of his own career when he discovered he kept being hired to do work he wasn’t enthused about. I thought it was a good point- that you have the power to change the course of your career if you want to.
Yes, Tim did the Hunger Games book art, amongst many other unbelievably excellent pieces. Check out his website.
Here is Tommy Lee Edwards, creator of beautiful concept art that is used in all kinds of ways… comics, video games, movies, etc. He likes to help create a feel for the world of each movie or game, something that other people can refer to. I think he’s been successful at that- I definitely connect his art with some of the movies and related media I’ve seen.
Robbi Behr and Matthew Swanson started up Idiots’ Books on their own, after ditching the comfort of the real world and moving into a barn. Their story and their collaborations are charming, funny, and mostly weird. They are great role models for doing whatever the heck you want and making it work.
Sketchbooks… what do they mean to you? Here are 3 rampant sketchbookers- Jillian Tamaki, John Cuneo, and Marcellus Hall. Jillian said that her sketchbook is a personal place and a respite from clients. Marcellus likes to use his for “reportage”… bearing witness to everyday life.
Christy Karacas is the guy behind Cartoon Network’s Adult Swim show, ‘Superjail!‘ I have never seen such violent and creepy animation, frankly… and I am pretty sure Christy and team are proud of that! Content-wise, this is not something I would ever watch on my own (sorry, I’m a remorseless bunny-drawer for a reason), but I am glad to have seen their process, which is very hands on, traditional(ish) animation, produced here in the US of A. There is integrity in the way it is made, for sure.
Yuko Shimuzu create covers for DC Comics/Vertigo, which are more artistically sophisticated and adult oriented than typical comics. One of the things she did during the earlier, searching part of her career is make a literal “Dream List” of people and companies she wanted to work with… and has managed to cross off most. She said it’s not important, really, to get everything off the list, but to try for them.
It was fun to hear from some of the masters in the fantasy and sci-fi realm. Irene Gallo (Creative Director for Tor Books), Greg Manchess, and our old RISD classmate Jon Foster were on hand to discuss how fans help drive the excitement in the genre. It really is it’s own world, where fans truly support individual artists. Sci-fi and fantasy conventions are key places for them to connect with their fans, and in turn, to keep them motivated to create great art. And man, they make GREAT art. Check it out.
Another fun and unexpected talk was given by radio producer and storyteller Starlee Kine and illustrator Arthur Jones, who collaborate to make personal, funny and insightful animated and illustrated projects that really capture their spirits.
And then, it was time for closing remarks. Icon president John Hendrix thanked the mountain of volunteers, and then introduced the winner of the first ICON Medal for Collaborative Vision.
The evening ended with a crazy “Moth Ball” party, and a last loud chance to see everyone. I was happy to run into one of my favorite teachers from RISD, Erminio Pinque, the guy behind the local puppety/costumed/musical phenomenon known as Big Nazo.
All in all, I was very glad this thing came to Providence!
The ICON 7 Illustration Conference was held right here in RI this year, sponsored in part by good ol’ RISD. That was good news for Eric and I…we had our tickets reserved months ago, and it was finally held this week.
The weather was perfect, the city was looking’ good for the hundreds of illustrators that came to town. We didn’t manage to get to any of the workshops that occurred on previous days, beyond going to the RISD Icons art show opening at the Woods-Gerry Gallery (the show is up until June 24th, so you can still catch it).
Gregory DiBisceglie, creative manager for Campaign Planning and Special Projects at Macy’s, showed how he tries to raise the bar of creative experiences that Macy’s offers. Why, there’s one of his special projects now… art created by Chris Buzelli for Macy’s Flower Show.
Here’s the art powerhouse Bob Staake, with a page from one of his children’s books. He started off working in a well-regarded cartoony style, but has since morphed into more graphic looks. He says that since art is always subservient to something else, he likes to shake up his style depending on the need. He also like to surprise an art director with unique takes.
My favorite point he made was that art directors come to you because you’re a thinker. So true. Style and execution is less important than concept, so long as the art gets your point across effectively. I find this very true in product design, as well.
Christopher S. Neal, Josh Cochran, and Sam Weber came to talk about the importance of community and collaboration, as learned in the Pencil Factory studio space in Brooklyn. They not only collaborate with each other, but with lots of varied clients.
The importance of collaboration was a theme that kept popping up throughout the conference. Apparently sequestering oneself up in a studio all alone with no input is not the best way to achieve good art, or to get anything to happen with your art. Huh… go figure!
Here are the folks from the Children’s Book panel: Cecily Kaiser (Abrams), Chad Beckerman (Abrams), and Elizabeth Parisi (Scholastic), with Rachael Cole (Schwartz & Wade/Random House) as moderator.
As a children’s author/illustrator, I thought I had heard it all about this subject. But they did touch on some important points that probably can’t hit home enough: books need to jump off a shelf due to their individuality. Relevancy and different takes on common subjects can set a book apart from the mountains of others.
Chad with a morphing cover sketch by Dan Santat.
Lunch break. Did I mention the weather was ideal for this?
I’m glad Providence was lookin’ good for the conference. The hotel where some of the events were used to be an abandoned, graffitied shell of turn-of-the-century despair. Pretty nice now, darn it!
Here’s Jessica Hische, who spends a lot of time procrastiworking on all kinds of projects, many involving her own custom typefaces. “Make things you wish existed.”
Here’s another good thought to remember:
Kiel Johnson took everyone by surprise, I think. It’s hard to describe the level of intensity of what he has made, done, created with cardboard. He said that getting out and working with others has led to surprising artistic places that he never would have gone to himself.
Another shot showing his intensity level… he decided to draw everything (everything!) he owned.
Here are Adam Rex and Dan Santat, during their session on being Man-Whores. Or, uh… promotion. yeah, promotion. They shared some of the things that worked for them (meeting people at ComicCon, devoting actual time to promotion), and what didn’t work (scaring children with clone videos).
At their book signing, I asked Adam and Dan to “do something adorable” so I could take a picture. This is what they came up with.
Pretty adorable, right? hehehe
Here’s Julia Rothman, who talked a little about how she entered into true licensing after learning the hard way about flat fee sales. This shot shows her My Little Pony style sheets that she did for Hasbro. Getting her work seen on Design Sponge seemed to open up a new flow of people that wanted to work with her, and she’s been going full steam ever since.
The evening keynote was by Lynda Barry, cartoonist extraordinaire, and her “special guest” and long-time friend Matt Groening, creator of Life In Hell, the Simpsons, and Futurama. Pretty much one of the best “talks” I’ve ever seen.
Lynda by herself is a hoot. Intertwined within her off-kilter stories, she had some really poignant things to say about trusting yourself, not editing yourself, and rediscovering your own hands to make a personal connection with your work.
Jeez, though. These two together were unstoppable. They just kept tossing little stories out, back and forth…
Honestly, I could have listened to them for hours, they were so funny and insightful. I felt very privileged and lucky to hear them.
Matt said that he had just stopped writing “Life in Hell” after 37(!!) years. He did so last week. Wow.
After that, they opened up the Rhode Show, which was a bazaar of illustrators with tables full of their work and promos. It was very well attended and a lot of fun. A good way to meet a lot of people and see their work.
Here’s my pal Mary Beth Cryan at her booth, displaying all her paper-engineered goodness!
I got to meet Matt Groening at the Rhode Show. A true high point of the whole thing. Things like this don’t usually happen in Providence.
Here’s some of the day’s loot haul… I officially have a lot of business cards, websites and books to investigate!
Next up… DAY TWO.
It was a GREAT turnout, and Lynda, in her usual Lynda-esque way, had the crowd riveted with snippets, stories, and her trademark irreverence. She is a one-of-a-kind public speaker, and I am in continuing awe of this skill!
I had read the ARC/preview copy of the book, but this was my first chance to see the real thing. Gorgeous! Nice spot-UV printing on the cover, and fancy end papers that relate beautifully to the content of the book. I’m pretty psyched to be in the acknowledgements section, too… oh, yeah! What an honor!
Such an amazing crowd! It was fun to see so many folks who know Lynda from different stages of life come out to support her and the book.
Now, get out there and check out this book- you’ll be glad you did.
Here’s my review of it on Goodreads.
Here’s Lynda’s book trailer. It will give you a good feel for the flavor of this lovely and thought-provoking book.
What a blow to lose Maurice Sendak this week. Somehow, he seemed like he would just always be there. I’m glad he was writing, working, and being his straight-shooting, famously cantankerous self right up ’til the end. He was the Book King. I knew this as a kid, too.
Here are two of my all-time favorite Sendak books from childhood. They made such a huge impression, that looking back at them now literally brings me back to being a kid.
First up: Some Swell Pup, or Are You Sure You Want A Dog?
Here’s my dog-eared (haha) copy from 1978. This book is genius, straight up. Every kid (and adult) who is contemplating getting a dog should be issued this book. That is from my adult-perspective view. But as a kid, I found this book hilarious and ridiculously frank. The good, the bad, and the ugly is explored with an unblinking eye.
The story begins when a “mysterious stranger”, who seems to be a dog himself, leaves a puppy on the doorstep of a brother and sister. The initial joy of owning a puppy soon turns to reality when the pup does everything “wrong”… and they do everything wrong.
This book was way ahead of it’s time, if you think about how many books use the “graphic novel” approach. This story is laid out like a comic book, and the details in each panel are spot on. The puppy pees. It poops. It shreds things. The kids fight over it, yell at it, hold it the wrong way, and get aggravated with each other. It’s real. And there is a happy ending, but it’s a realistic one. All is not happy until the kids really get what’s involved in having a dog. And they do, the hard way!
It’s so obvious! You’ve got to love! Love! Love!
Next up: Higglety Pigglety Pop! Or There Must Be More To Life.
I mean, really. Just the title. There was nothing like this on the bookshelves in the early 70s, when I first found it. I recall repeatedly borrowing it from my grammar school library and poring over the illustrations, and the surreal words. The story was weird. It had layers. The pictures felt real to me.
It was moody. And a bit scary. Jennie the dog leaves a life that’s just fine in search of “something more”. She becomes a nursemaid to a baby that won’t eat, and ends up stuffing the baby into her suitcase. But that’s OK, because there’s a lion that is interested in eating the baby, too. Eventually, Jennie ends up in a stage show, in which she eats a mop made of salami every night.
Jennie never returns to her good home. She writes to her old master at the end and tells him to come and visit, except she doesn’t know where she is. Traditional storytelling? Not on your life. I loved it.
Looking back at it now, I am struck by two things that hadn’t occurred to me before. One- I have loved scotty dogs forever. Jennie isn’t a scotty per se, but I think this is where my love of them came from. Two- as an adult, I find myself ensconced in the world of community theater. I write, direct, make costumes and sets, etc. Maybe it was this book that “set the stage” for this hobby. I remember being obsessed with the mini stage play that ends this book. The page turns were theatrical, like watching a little movie (and I know Sendak was himself a theater lover). I just adored it. And now I stage plays of my own. A little seed planted in childhood? Quite possibly.
I’m thankful there were alternative books like this on the shelves when I was a kid, and they will surely endure.
So maybe it isn’t really “the end”.
Hello out there! I have not had the chance to blog due to Circumstances Beyond My Control. But mercifully, things are getting back under control again, and so, let the posting begin!
I found these recently at an antique mall near me. They are, of course, metal logos that used to be adhered to cars. These two stuck out with me. I like the idea of a hunk of rolling metal being thought of as “Valiant” or “Dynamic”. That’s just good marketing! And great typography, while we’re at it. I decided that these terms were just as useful in my studio as they were on a car. So now, I shall attempt to keep up a valiant effort and create dynamic art and products!
I also like them because they remind me of this:
May this be a terrific spring for everyone!